The story of place begins with the Capilano river. The riverbanks of British Columbia have always been home to Coast Salish people. We formulated our lives around rivers and Oceans. The salmon that swam up X̱wemelch'stn were of the utmost importance; its richness of nutrients and abundance in numbers fed our people for thousands of years. X̱wemelch'stn (Capilano River) has ancient origins and has been an integral part of the Squamish peoples lives since time immemorial.

C O N C E P T

We as the Squamish people have always shared an interconnection with the land, animals and water. The life cycle of the salmon mimics the lifespan of the river. Everything around this cycle continues to shrink; the salmon, trees, and water. This piece serves as a reminder to protect and give back to the life that the land has given for thousands of years.

Part of my job as the artist is to take my teachings and pass down the stories from our elders. This work is a symbol of the resurgence of Salish art and the reclamation of space. As we move into the future our art will continue to evolve and grow, my goal is to integrate our culture into the proudest segments of our society.

THE SCULPTURE

This work mimics the shape of the cedars and firs that once occupied this land. Old growth trees are becoming increasingly difficult to acquire for carving, which led me to use metal as an alternative material to cedar. Through my years at Emily Carr I integrated this concept into my art practice and it has now become an integral part of my work. Utilizing modern materials while staying true to the visual language of Coast Salish design has been the core component of my art practice. This public art opportunity is a great fit for my continued work of shifting perspectives on Indigenous art.

The imagery depicted on the post are two salmon swimming in unison. There are eggs in between representing rebirth and the cycle of the salmons life. As a whole, the design follows the movement of the river.

I have designed the sculpture so that you are forced to move around it to read the story. This makes for a more bodily and visceral experience.

Shù7mayus, which is Sḵwx̱wú7mesh for “come face-to-face with spirit,” is a statement of presence, both of the past and future, for Indigenous peoples in the place now known as Burnaby.

“Lauren and I have been collaborating on artwork for the last two years. We’ve been amalgamating our styles together and really trying to come up with something that is a balance of both of our styles and techniques. We’ve arrived in a place where we’re interweaving our cultural backgrounds into our works,” Harry told the Straight in an interview with Brevner in front of his mural.”

-Excerpt from an interview in the Georgia Straight 2018